When you play any two tones, a RELATIONSHIP occurs between them you'll hear it as a simple sound pattern, or INTERVAL: It's pretty simple, yet it's an extremely important development for your overall musical experience. His students range from pop to jazz to classical.Relative Pitch is your clear understanding of the musical language. Using musical language intelligently and with authority demonstrates a thorough comprehension and mastery of its grammar.īurge's teachings go far beyond the scope of academia to encompass a wide range of musical backgrounds and tastes. the only requirement is to listen.īurge explains well the importance of proper musical spelling. I find it amazing that this course requires no note reading. How true it is that "everything in music is completely and utterly dependent on how well your ear hears." With greater knowledge, you gain a deeper appreciation and skill in music. His drills invite you to probe deeper than just the melody line and enter into the harmonies within. The purpose of his drills and exercises is to probe the inner depths and layers of music. With lucid reasonings and reassurances, Burge gently encourages you to go for it and gain the "complete ear tune-up" that he will put you through on his Relative Pitch Ear Training SuperCourse, a whopping 41 audio CDs.Īs contrasted with the experience of many music students, Burge believes that ear training should not be a case of "ear straining" or "fear training," but should instead be a fun challenge that anyone can master. (See Burge's web site to understand more on how Perfect Pitch and Relative Pitch work together.)īurge's Relative Pitch SuperCourse - yes, it's a lot of CDs! No music teacher has ever explained these concepts so personally and so deeply as Burge. Combined with Relative Pitch, you then enjoy the complete artistic perception of music. When you add the experience of Perfect Pitch, then you know the exact tones that are playing. They just hear a bunch of tones and get only a general impression.īut with Relative Pitch, you can see clearly what is going on in the music - how the chords are structured, how they progress harmonically, and how the music flows. Gaining Perfect Pitch is like adding the rich color experience to the black and white picture.īurge means that most people don't really have a clue what's going on in the music. He illustrates it like this: The way most people listen to music is like watching a black and white TV - one that is also out of focus. Gaining Relative Pitch is like bringing that fuzzy picture into sharp focus so you can see what's really happening. He shows how one cannot replace the other, and why both are required for a complete musical ear. Burge agrees totally, but he takes you much further than this.įor example, and for the very first time in music education, Burge clearly explains how Perfect Pitch and Relative Pitch are two completely distinct levels of musical awareness.
#Perfect pitch ear training supercourse professional#
The average teacher would have told you that Relative Pitch is all about learning music intervals, chords, and all facets of a professional ear for music. Relative Pitch is Like a Sharply Focused TVīurge is the first person ever to say that "Relative Pitch is the mind's understanding of what the ear hears." Easy.
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